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Our approach involves engaging in dialogues on underrepresented human and social issues, offering participatory activities, and ensuring our artistic works are adapted from conception through to dissemination. With research and innovation at our core, we strive to improve theater accessibility by developing inclusive tools and processes.
We present atypical theater scenes for those unable to travel, ensuring our dramaturgies are adapted for various dissemination methods. Our work is aimed at fostering a future of unity and social change, where no one is left behind.
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Our approach involves engaging in dialogues on underrepresented human and social issues, offering participatory activities, and ensuring our artistic works are adapted from conception through to dissemination. With research and innovation at our core, we strive to improve theater accessibility by developing inclusive tools and processes.
We present atypical theater scenes for those unable to travel, ensuring our dramaturgies are adapted for various dissemination methods. Our work is aimed at fostering a future of unity and social change, where no one is left behind.
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Marie Ayotte - Directrice artistique et générale (elle)
Our approach involves engaging in dialogues on underrepresented human and social issues, offering participatory activities, and ensuring our artistic works are adapted from conception through to dissemination. With research and innovation at our core, we strive to improve theater accessibility by developing inclusive tools and processes.
We present atypical theater scenes for those unable to travel, ensuring our dramaturgies are adapted for various dissemination methods. Our work is aimed at fostering a future of unity and social change, where no one is left behind.
Équipe
Anne-Claude GendronPresident- Anne-Claude GendronPresident
- Anne-Claude GendronPresident
- Anne-Claude GendronPresident
- Anne-Claude GendronPresident
- Anne-Claude GendronPresident
Conseil d’administration
- Anne-Claude GendronPresident
- Anne-Claude GendronPresident
- Anne-Claude GendronPresident
- Anne-Claude GendronPresident
- Anne-Claude GendronPresident
- Anne-Claude GendronPresident
- Anne-Claude GendronPresident
Awards, Selections & Residencies
2023
Nomination in the “Inclusive and eco-responsible business – Diversity impact” category for the 2023 Quebec Business Women award.
Marie Ayotte, the artistic and general director of Théâtre Déchaînés, is a finalist in the Arista 2023 competition in the category “Young entrepreneur from Quebec: arts and culture”
2022
Carl Joachim Andersen (29 April 1847 – 7 May 1909) was a Danish flutist, conductor and composer born in Copenhagen, son of the flutist Christian Joachim Andersen. Both as a virtuoso and as composer of flute music, he is considered one of the best of his time. He was considered to be a tough leader and teacher and demanded as such a lot from his orchestras but through that style he reached a high level.
2021
Ida Henriette da Fonseca (July 27, 1802 – July 6, 1858) was a Danish opera singer and composer. Ida Henriette da Fonseca was the daughter of Abraham da Fonseca (1776–1849) and Marie Sofie Kiærskou (1784–1863). She and her sister Emilie da Fonseca were students of Giuseppe Siboni, choir master of the Opera in Copenhagen. She was given a place at the royal Opera alongside her sister the same year she debuted in 1827.
2020
Peter Erasmus Lange-Müller (1 December 1850 – 26 February 1926) was a Danish composer and pianist. His compositional style was influenced by Danish folk music and by the work of Robert Schumann; Johannes Brahms; and his Danish countrymen, including J.P.E. Hartmann.
2019
Peter Erasmus Lange-Müller (1 December 1850 – 26 February 1926) was a Danish composer and pianist. His compositional style was influenced by Danish folk music and by the work of Robert Schumann; Johannes Brahms; and his Danish countrymen, including J.P.E. Hartmann.
2018
Peter Erasmus Lange-Müller (1 December 1850 – 26 February 1926) was a Danish composer and pianist. His compositional style was influenced by Danish folk music and by the work of Robert Schumann; Johannes Brahms; and his Danish countrymen, including J.P.E. Hartmann.
Les silences infinis des requins pèlerins
Il y a de ces requins, de ces poissons, avec une énorme bouche. Une bouche grande comme l’impossible, grande comme leur tête, grande comme…
Mais les requins pèlerins sont aussi un des rares animaux à n'émettre aucun son.
Ils sont là avec toute cette bouche interminable. En photo, on jugerait qu’ils émettent des cris qui enterreraient tout. Des cris assourdissants. Des cris qui se feraient entendre parmi tout le vacarme.
La douleur chronique, c’est un peu le même feeling. L’impression d’avoir cette bouche énorme qui prend tout ton espace, qui crie à perpétuité.
Mais pourtant, tout ce qui est reçu, perçu, c’est du silence.
Les Silences infinis des requins pèlerins est une pièce de théâtre à mi-chemin entre le théâtre autodocumentaire et la poésie, traitant des ramifications personnelles et sociétales de la douleur chronique.
Écrit et mis en scène par Marie Ayotte, qui souffre de fibromyalgie depuis plus de 20 ans, et nourri d’interprètes traversant elles-mêmes les réalités de la douleur chronique au quotidien, ce premier laboratoire de création est le résultat de plus de deux ans de recherches sur les répercussions tant individuelles qu’à grande échelle de vivre avec une condition de santé chronique.
Texte choral et laboratoire multidisciplinaire, Les Silences infinis des requins pèlerins suit le processus de Marie et des interprètes, au cours des deux dernières décennies, pour affronter ce diagnostic qui ne finit jamais, qui nous talonne à chaque moment du jour, à chaque lieu visité, à chaque interaction du quotidien.
Avec plus de 20% de la population qui souffrent de douleurs chroniques, il est grand temps d’arrêter de passer ce sujet sous silence.
